---
product_id: 5500528
title: "Shure SM35 Performance Headset Condenser Microphone for Hands-Free Audio, for Multi-Instrumentalists and Active Performers, 3-pin XLR Connector, Inline Preamp, Snap-fit Windscreen (SM35-XLR)"
brand: "shure"
price: "4063 DH"
currency: MAD
in_stock: true
reviews_count: 13
category: "Shure"
url: https://www.desertcart.ma/products/5500528-shure-sm35-performance-headset-condenser-microphone-for-hands-free-audio
store_origin: MA
region: Morocco
---

# 130dB sensitivity Lightweight & low-profile 78dB signal-to-noise ratio Shure SM35 Performance Headset Condenser Microphone for Hands-Free Audio, for Multi-Instrumentalists and Active Performers, 3-pin XLR Connector, Inline Preamp, Snap-fit Windscreen (SM35-XLR)

**Brand:** shure
**Price:** 4063 DH
**Availability:** ✅ In Stock

## Summary

> 🎙️ Own the stage, hands-free and flawless.

## Quick Answers

- **What is this?** Shure SM35 Performance Headset Condenser Microphone for Hands-Free Audio, for Multi-Instrumentalists and Active Performers, 3-pin XLR Connector, Inline Preamp, Snap-fit Windscreen (SM35-XLR) by shure
- **How much does it cost?** 4063 DH with free shipping
- **Is it available?** Yes, in stock and ready to ship
- **Where can I buy it?** [www.desertcart.ma](https://www.desertcart.ma/products/5500528-shure-sm35-performance-headset-condenser-microphone-for-hands-free-audio)

## Best For

- shure enthusiasts

## Why This Product

- Trusted shure brand quality
- Free international shipping included
- Worldwide delivery with tracking
- 15-day hassle-free returns

## Key Features

- • **Pro-Grade Noise Control:** Locking snap-fit windscreens tame plosives and wind noise for flawless sound.
- • **Unmatched Stage Clarity:** 130dB sensitivity captures every nuance with crystal-clear precision.
- • **Comfort Meets Durability:** Lightweight, low-profile design built for marathon performances without fatigue.
- • **Feedback-Free Performance:** Cardioid polar pattern slashes signal bleed and feedback on loud stages.
- • **Flexible Precision Placement:** Adjustable gooseneck boom lets you dial in perfect vocal isolation every time.

## Overview

The Shure SM35-XLR is a professional-grade headset condenser microphone designed for active performers and multi-instrumentalists. Featuring a 130dB sensitivity, a unidirectional cardioid polar pattern for feedback rejection, and a lightweight, low-profile design, it ensures clear, crisp vocals even in the loudest environments. Its flexible gooseneck and locking snap-fit windscreens provide customizable comfort and superior noise control. Powered by phantom power and equipped with a rugged inline preamp, the SM35 delivers legendary Shure durability and performance for seamless, hands-free stage presence.

## Description

The SM35 Performance Headset Condenser Microphone gives multi-instrumentalists the freedom to express themselves without sacrificing sound quality. A tight, unidirectional cardioid polar pattern provides excellent rejection of off-axis sound sources to prevent feedback and signal bleed onstage, whether in use in small clubs, large installations, or arena tours.

Review: Best Choice For Studio or Performing Musician - Some of the reviews had me a bit nervous about ordering this -- somebody didn't like the sound. But, really, I couldn't be happier with it. Its a phantom power microphone, but that is fine with me because I run it to my Peavey Mixer which has a Phantom Power Button (at first I thought I blew it up because when I first hit the phantom power button, the mic came on loud and then dead silence. Well, I just didn't push the Peavey button down far enough and it came right back up). Anyway, mics that run off of phantom power seem to have a great deal more gain than those that don't. So this SM35 has a lot of gain to play with. And the response was crystal clear. I don't know what that other reviewer was thinking of, unless he just had a muddy setup that he was running into. another thing I like about this SM35 is that you can wear it in several ways. I tried with the loop around my neck and that seems to work. But I now wear it on my head, along with my headphones... yes, it may be crowded up there on top of my head, but I have no problem wearing both. I use the SM35 in my Music Practice, which can go on for hours, and so, yes, the little adjustable pressure pad on the end of the head loop can begin to dig in and get uncomfortable, but then I found that I can cope simply by moving the placement of the SM35 off to the side or a bit up or down, and then one can compensate by repositioning the adjustable boom going to the microphone element (my usual First Position is to place the adjustable pad just above the top of my left ear and to position the right side of the Head Loop to the top of my cheek bone just in front of my right ear. When, after about an hour, I feel the adjustable pad on the left 'digging in' and causing some discomfort, then I lift it up in position by less than an inch while pulling the right side of the Boom just under my cheek bone -- very comfy! And that usually lasts me until I'm so popped that I drop). Oh, the little cord that comes off the head boom section from its side was tweaking my ear, and so I used a loop of string to fasten that little cord to the top middle of the boom from where it can fall down my back without bumping into my ear. Not enough of a problem to deduct a Star. Now, moving on ... As I said, the mic has a lot of gain to play with, and so you do not have to have it very close to your mouth. I position it off to the side to keep from picking up Nose Blast. Even with the Breeze Protector on the end covering the microphone element, if the breath exhalation coming from out of your nose is in line with that microphone element, it will come through loud and clear, like somebody 'blowing' into a microphone. But I have no problem bending the element out of the way of my Nose Snort and still being able to adjust the microphone element boom for good singing quality. Now, if you are wondering whether you should get a head boom microphone like this in the first place, but you are resisting because you fear not having enough dynamic control over the microphone for studio work or for sensitive stage performances, well, don't worry about it. When you need the kind of control that you would have with a hand held microphone, well, its easy enough to reach up and grab the flexible-adjustable boom and to work it like a hand microphone. I've done it. some songs require a full baritone (covering Leonard Cohen or Johnny Cash) and I am more like a tenor, and so I pull the microphone in real close and do a breathy baritone, and when I'm done, I just instantly twist it back to where it was before. No Problem. Oh, now that I think about it, there is something to get used to. whenever you decide to walk off your 'spot' you have to disconnect. I am already used to taking my Head Phones off, so it isn't much of a problem remembering about the head boom mic. With the SM35, you simply disconnect from the XLR connector. Everything else can stay in place. Oh, and there is the additional setup required for using the SM35 instead of just keeping a Microphone on a Stand somewhere. There is something of a procedure for putting it on. That involves putting the head boom on your head, and then running the light cord guide clip to the back of your shirt collar or wherever, and then plugging that light cord into the little but heavy preamp (bullet proof heavy -- that little thing weighs a lot. If you were to catch a cat fish half that heavy, you'd take a picture of it)that clips onto your belt or waistband (if you practice in your pajamas or underwear), and then finally you plug in your XLR Cable (not included) into that. It takes a bit more than a minute. Taking it all the way off, requires the reverse process. Now, I recommend disconnecting the little but heavy preamp from the cord and storing it separately, because, well if you decide to store the head boom section with its light cord by hanging it somewhere, well, that dangling preamp would be quite a pull on the little cord all the time. You know I was wondering why the little preamp is so heavy, and I decided to guess that the Engineers at Shure were getting Line Hum Noise from the earlier prototypes and just kept adding metal shielding until all the Electronic Noise Interference went away. They did a good job, because electronically, that SM35 is as silent as the grave, adding no additional noise to whatever is in your Sound System already. So, yes, going from regular Microphones to this head boom will require a few additional duties and require some small additional increments of time. But the upside of having a Head Boom Microphone is that, while performing, IT IS ALWAYS THERE and ready to go. Being a Musician with a regular mic on a mic stand, well, if you are playing an instrument, it is REALLY difficult to position for both your instrument AND the mic stand, or the microphone boom or whatever. With a regular microphone, you always have to watch it to make sure it doesn't creep away, or that you don't bump into it. And all while you are trying to play an instrument. So nothing is ever just right -- you are either somewhat ignoring your Instrument, or you are somewhat ignoring the microphone. But this head boom microphone is ALWAYS THERE and you can set it up for just the right gain and position for 98% of the singing you will do, and it is so unobtrusive that it is easy to forget you're wearing it. After working with it for a month now, I can't really understand why so many performing musicians still use those 'ordinary' microphones ... they have never worked with Head Boom microphones and simply take all of the aggravations of the ordinary microphones for granted. Oh, another thing! How many performing musicians have gone on break only to come back and find that their microphones have been stolen... even entire mic stands disappear! Well, let's see if anybody can steal a boom microphone right off the top of your head! anyway, no buyer's remorse here.
Review: This has great sound quality - After more than a year of weekly use it still sounds clear and works perfectly with our shure system

## Features

- This microphone includes a Shure RPM626 preamp and has a 3-pin XLR out
- Wireframe headset fits securely and comfortably for active performers and multi-instrumentalists
- Tight, unidirectional cardioid polar pattern rejects signal bleed and feedback for use on loud stages and behind floor monitors
- Flexible gooseneck design allows for optimized placement that further improves source isolation
- Lightweight and low-profile form enables comfortable, long-wearing use
- Locking snap-fit windscreens tame plosives, breath, and wind noise for clean and intelligible sound.
- Tailored frequency response refined for clear, crisp vocal reproduction.
- Legendary Shure precision engineering for durability and performance.
- Also in the box: 2 - Windscreens, 1 - Headset Clip, and 1 - RPM626 preamp

## Technical Specifications

| Specification | Value |
|---------------|-------|
| ASIN | B00IVPG0SW |
| Audio Sensitivity | 130 Decibels |
| Best Sellers Rank | #2,859 in Musical Instruments ( See Top 100 in Musical Instruments ) #19 in Wireless Headset Microphones & Systems |
| Color Name | Black |
| Customer Reviews | 4.4 4.4 out of 5 stars (816) |
| Date First Available | March 4, 2014 |
| Frequency Response | 20 KHz |
| Global Trade Identification Number | 00042406365673 |
| Is Discontinued By Manufacturer | No |
| Item Weight | 6.4 ounces |
| Item dimensions L x W x H | 3.2 x 7.6 x 6.4 inches |
| Item model number | SM35-XLR |
| Manufacturer | Shure |
| Material | Metal Alloy or High-Quality Plastic |
| Material Type | Metal Alloy or High-Quality Plastic |
| Microphone Form Factor | Microphone Only |
| Number of Channels | 1 |
| Power Source | PHANTOM POWER: All condenser microphones require phantom power to operate. Please refer to the User Manual for more details on power requirements. |
| Product Dimensions | 3.2 x 7.6 x 6.4 inches |
| Signal-to-Noise Ratio | 78 dB |
| Size | 7.6 x 3.2 x 6.4 inches |
| UPC | 042406365673 |

## Product Details

- **Brand:** Shure
- **Color:** Black
- **Compatible Devices:** Headphone
- **Connectivity Technology:** XLR
- **Connector Type:** XLR
- **Included Components:** 1 - SM35-XLR, 2 - Windscreens, 1 - Headset Clip, and 1 - RPM626 preamp
- **Model Name:** SM35-XLR
- **Polar Pattern:** Unidirectional
- **Recommended Uses For Product:** Singing, Streaming
- **Special Feature:** Clip

## Images

![Shure SM35 Performance Headset Condenser Microphone for Hands-Free Audio, for Multi-Instrumentalists and Active Performers, 3-pin XLR Connector, Inline Preamp, Snap-fit Windscreen (SM35-XLR) - Image 1](https://m.media-amazon.com/images/I/41g0Y9UOzrL.jpg)
![Shure SM35 Performance Headset Condenser Microphone for Hands-Free Audio, for Multi-Instrumentalists and Active Performers, 3-pin XLR Connector, Inline Preamp, Snap-fit Windscreen (SM35-XLR) - Image 2](https://m.media-amazon.com/images/I/71rLQdQ8AzL.jpg)
![Shure SM35 Performance Headset Condenser Microphone for Hands-Free Audio, for Multi-Instrumentalists and Active Performers, 3-pin XLR Connector, Inline Preamp, Snap-fit Windscreen (SM35-XLR) - Image 3](https://m.media-amazon.com/images/I/21Ybf6r55AL.jpg)
![Shure SM35 Performance Headset Condenser Microphone for Hands-Free Audio, for Multi-Instrumentalists and Active Performers, 3-pin XLR Connector, Inline Preamp, Snap-fit Windscreen (SM35-XLR) - Image 4](https://m.media-amazon.com/images/I/31XUFCtpOvL.jpg)
![Shure SM35 Performance Headset Condenser Microphone for Hands-Free Audio, for Multi-Instrumentalists and Active Performers, 3-pin XLR Connector, Inline Preamp, Snap-fit Windscreen (SM35-XLR) - Image 5](https://m.media-amazon.com/images/I/217uJ7qYsCL.jpg)

## Available Options

This product comes in different **Style** options.

## Customer Reviews

### ⭐⭐⭐⭐⭐ Best Choice For Studio or Performing Musician
*by L***H on January 7, 2015*

Some of the reviews had me a bit nervous about ordering this -- somebody didn't like the sound. But, really, I couldn't be happier with it. Its a phantom power microphone, but that is fine with me because I run it to my Peavey Mixer which has a Phantom Power Button (at first I thought I blew it up because when I first hit the phantom power button, the mic came on loud and then dead silence. Well, I just didn't push the Peavey button down far enough and it came right back up). Anyway, mics that run off of phantom power seem to have a great deal more gain than those that don't. So this SM35 has a lot of gain to play with. And the response was crystal clear. I don't know what that other reviewer was thinking of, unless he just had a muddy setup that he was running into. another thing I like about this SM35 is that you can wear it in several ways. I tried with the loop around my neck and that seems to work. But I now wear it on my head, along with my headphones... yes, it may be crowded up there on top of my head, but I have no problem wearing both. I use the SM35 in my Music Practice, which can go on for hours, and so, yes, the little adjustable pressure pad on the end of the head loop can begin to dig in and get uncomfortable, but then I found that I can cope simply by moving the placement of the SM35 off to the side or a bit up or down, and then one can compensate by repositioning the adjustable boom going to the microphone element (my usual First Position is to place the adjustable pad just above the top of my left ear and to position the right side of the Head Loop to the top of my cheek bone just in front of my right ear. When, after about an hour, I feel the adjustable pad on the left 'digging in' and causing some discomfort, then I lift it up in position by less than an inch while pulling the right side of the Boom just under my cheek bone -- very comfy! And that usually lasts me until I'm so popped that I drop). Oh, the little cord that comes off the head boom section from its side was tweaking my ear, and so I used a loop of string to fasten that little cord to the top middle of the boom from where it can fall down my back without bumping into my ear. Not enough of a problem to deduct a Star. Now, moving on ... As I said, the mic has a lot of gain to play with, and so you do not have to have it very close to your mouth. I position it off to the side to keep from picking up Nose Blast. Even with the Breeze Protector on the end covering the microphone element, if the breath exhalation coming from out of your nose is in line with that microphone element, it will come through loud and clear, like somebody 'blowing' into a microphone. But I have no problem bending the element out of the way of my Nose Snort and still being able to adjust the microphone element boom for good singing quality. Now, if you are wondering whether you should get a head boom microphone like this in the first place, but you are resisting because you fear not having enough dynamic control over the microphone for studio work or for sensitive stage performances, well, don't worry about it. When you need the kind of control that you would have with a hand held microphone, well, its easy enough to reach up and grab the flexible-adjustable boom and to work it like a hand microphone. I've done it. some songs require a full baritone (covering Leonard Cohen or Johnny Cash) and I am more like a tenor, and so I pull the microphone in real close and do a breathy baritone, and when I'm done, I just instantly twist it back to where it was before. No Problem. Oh, now that I think about it, there is something to get used to. whenever you decide to walk off your 'spot' you have to disconnect. I am already used to taking my Head Phones off, so it isn't much of a problem remembering about the head boom mic. With the SM35, you simply disconnect from the XLR connector. Everything else can stay in place. Oh, and there is the additional setup required for using the SM35 instead of just keeping a Microphone on a Stand somewhere. There is something of a procedure for putting it on. That involves putting the head boom on your head, and then running the light cord guide clip to the back of your shirt collar or wherever, and then plugging that light cord into the little but heavy preamp (bullet proof heavy -- that little thing weighs a lot. If you were to catch a cat fish half that heavy, you'd take a picture of it)that clips onto your belt or waistband (if you practice in your pajamas or underwear), and then finally you plug in your XLR Cable (not included) into that. It takes a bit more than a minute. Taking it all the way off, requires the reverse process. Now, I recommend disconnecting the little but heavy preamp from the cord and storing it separately, because, well if you decide to store the head boom section with its light cord by hanging it somewhere, well, that dangling preamp would be quite a pull on the little cord all the time. You know I was wondering why the little preamp is so heavy, and I decided to guess that the Engineers at Shure were getting Line Hum Noise from the earlier prototypes and just kept adding metal shielding until all the Electronic Noise Interference went away. They did a good job, because electronically, that SM35 is as silent as the grave, adding no additional noise to whatever is in your Sound System already. So, yes, going from regular Microphones to this head boom will require a few additional duties and require some small additional increments of time. But the upside of having a Head Boom Microphone is that, while performing, IT IS ALWAYS THERE and ready to go. Being a Musician with a regular mic on a mic stand, well, if you are playing an instrument, it is REALLY difficult to position for both your instrument AND the mic stand, or the microphone boom or whatever. With a regular microphone, you always have to watch it to make sure it doesn't creep away, or that you don't bump into it. And all while you are trying to play an instrument. So nothing is ever just right -- you are either somewhat ignoring your Instrument, or you are somewhat ignoring the microphone. But this head boom microphone is ALWAYS THERE and you can set it up for just the right gain and position for 98% of the singing you will do, and it is so unobtrusive that it is easy to forget you're wearing it. After working with it for a month now, I can't really understand why so many performing musicians still use those 'ordinary' microphones ... they have never worked with Head Boom microphones and simply take all of the aggravations of the ordinary microphones for granted. Oh, another thing! How many performing musicians have gone on break only to come back and find that their microphones have been stolen... even entire mic stands disappear! Well, let's see if anybody can steal a boom microphone right off the top of your head! anyway, no buyer's remorse here.

### ⭐⭐⭐⭐⭐ This has great sound quality
*by A***S on February 5, 2026*

After more than a year of weekly use it still sounds clear and works perfectly with our shure system

### ⭐⭐⭐⭐ A good head set for the money
*by J***N on October 6, 2021*

Decent live sound for singing. Not QUITE as good as a standard mic. Feeds back a little easier, needs phantom power. Also if you have a large head like me its juuuuust able to get by your mouth so you need your gain up a bit high if you're not a super loud singer. Overall a good product.

## Frequently Bought Together

- Shure SM35 Performance Headset Condenser Microphone for Hands-Free Audio, for Multi-Instrumentalists and Active Performers, 3-pin XLR Connector, Inline Preamp, Snap-fit Windscreen (SM35-XLR)
- Hosa GMS-274 Microphone Power Switch, XLR3F to XLR3M Silver 10 x 1 x 4 inches
- Amazon Basics XLR Microphone Cable for Speaker or PA System, All Copper Conductors, 6MM PVC Jacket, 25 Foot, Black

---

## Why Shop on Desertcart?

- 🛒 **Trusted by 1.3+ Million Shoppers** — Serving international shoppers since 2016
- 🌍 **Shop Globally** — Access 737+ million products across 21 categories
- 💰 **No Hidden Fees** — All customs, duties, and taxes included in the price
- 🔄 **15-Day Free Returns** — Hassle-free returns (30 days for PRO members)
- 🔒 **Secure Payments** — Trusted payment options with buyer protection
- ⭐ **TrustPilot Rated 4.5/5** — Based on 8,000+ happy customer reviews

**Shop now:** [https://www.desertcart.ma/products/5500528-shure-sm35-performance-headset-condenser-microphone-for-hands-free-audio](https://www.desertcart.ma/products/5500528-shure-sm35-performance-headset-condenser-microphone-for-hands-free-audio)

---

*Product available on Desertcart Morocco*
*Store origin: MA*
*Last updated: 2026-02-16*