---
product_id: 33869288
title: "- Demonlover (R-Rated Edition)"
brand: "connie nielsencharles berlingolivier assayas"
price: "700 DH"
currency: MAD
in_stock: true
reviews_count: 9
url: https://www.desertcart.ma/products/33869288-demonlover-r-rated-edition
store_origin: MA
region: Morocco
---

# - Demonlover (R-Rated Edition)

**Brand:** connie nielsencharles berlingolivier assayas
**Price:** 700 DH
**Availability:** ✅ In Stock

## Quick Answers

- **What is this?** - Demonlover (R-Rated Edition) by connie nielsencharles berlingolivier assayas
- **How much does it cost?** 700 DH with free shipping
- **Is it available?** Yes, in stock and ready to ship
- **Where can I buy it?** [www.desertcart.ma](https://www.desertcart.ma/products/33869288-demonlover-r-rated-edition)

## Best For

- connie nielsencharles berlingolivier assayas enthusiasts

## Why This Product

- Trusted connie nielsencharles berlingolivier assayas brand quality
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## Description

Product Description               DVD Special Bonus Features: - Interviews with:  - Connie Nielsen  - Charles Berling - Chloë Sevigny  - Olivier Assayas  - 16x9 Widescreen  - 5.1 DTS Surround  - 2.0 DTS Stereo  - English & Spanish Subtitles  - Previews                  .com               The most fearless film yet by France's idiosyncratic Olivier Assayas (Irma Vep) is an unholy marriage of ruthless corporate thriller and sinister science fiction. Connie Nielsen is the American "ice princess" in a French multination, an ambitious executive whose betrayals and invasive tactics would make her a villain in any other film. Here she's just a pawn in a shadowy conspiracy that may involve contemptuous new assistant Chloe Sevigny and fellow dealmaker Charles Berling and takes her from the legal (if unsavory) commerce of Japanese Internet porn to the brutal market of underground pornography. Assayas directs his modern corporate nightmare with a voyeuristic style, a hard eye for disturbing images, and more passion than explanation. It isn't his most audience-friendly film, but his portrait of international commerce and image culture in the 21st century is impassioned and haunting--cinema for viewers hungry for ambitious and provocative filmmaking. --Sean Axmaker

## Product Details

- **Format:** Anamorphic, Color, DTS Surround Sound, Dolby, Multiple Formats, NTSC, Subtitled, Widescreen
- **Contributor:** Abi Sakamoto, Alexandre Lachaux, Alexis Pivot, Arnaud Cafaxe, Arnaud Guenet, Arnaud Mathey-Dreyfus, Black (III), Bruno Soldani, Carmelita Tuazan, Charles Berling, Charlotte Kansten, Chlo Sevigny, Connie Nielsen, Danny Evangelista (II), Dominique Reymond, E. Male, Edwin Gerard, Emiko Mokudai, Eric Weinberg (II), George W. Bush, Gilles Masson, Gina Gershon, Hugo Aguilera, Ikko Suzuki, Jean-Baptiste Malartre, Jean-Charles Dumay, Jean-Pierre Gos, Julian Bucio, Julie Brochen, Jurgen Doering, Karine Lima, Laurent Jacquet, Ludovic Schoendoerffer, Margot Kansten, Marie Modiano, Mathias Mlekuz, Mauricio Martnez, Nao Omori, Naoko Yamazaki, Olivier Assayas, Papis Gadio, Pascal Oumaklouf, Paul Michineau, Randall Holden, Romantica, Stphane Lvy (II), Taro Suwa, Thomas M. Pollard, Toru Kodama, Xinjie Ge
- **Language:** English, French, Japanese
- **Runtime:** 1 hour and 55 minutes
- **Color:** Color

## Images

![- Demonlover (R-Rated Edition) - Image 1](https://m.media-amazon.com/images/I/51HP2XKB2HL.jpg)

## Customer Reviews

### ⭐⭐ 2.0 out of 5 stars







  
  
    A dud, pure and simple
  

*by R***S on Reviewed in the United States on November 23, 2014*

Before I go into any level of detail about this movie (which honestly won't be much), I should say upfront that I expected more from this since it's supposed to be part of this New French Extremity. What I ended up getting was rather tame and, worst of all, just plain boring at times. The plot, if one can call it that, revolves around several people who work for a few different companies. One is TokyoAnime, who specialize in animation and manga; the second is the titular Demonlover, a website where people can watch hentai; and the third is Mangatronics, Demonlover's primary competitor. There's also a torture site called Hellfire Club which may or may not be run on the sly by Demonlover. I suppose that last site could have made for a more graphic and explicit film if they'd chose to focus on that, but no, all you get is a dull slog about corporate spying among companies who just happen to deal with some rather sleazy stuff. However, there's only really one scene where you get to see exactly what this content is and a lot of it is blurred out. Moving on, the acting in this movie was passable although it's not what I would consider great by any means. Connie Nielsen and Gina Gershon, in her limited screen time, come off the best but mostly because their characters were the least annoying. Another major fault of this movie is writing. Aside from a lack of coherence in the general storyline, the characters are all varying degrees of unsympathetic and, at times, grating to the ears. Chloe Sevigny is probably the worst offender, as there are scenes where she'll lurch from calm and sedate to bitchy and screechy without much motivation or reason. On the whole, there is not a likeable character to be found and the confusing plot didn't do them any favors at all. On a technical level I can sort of give this a pass because it was low-budget, so it wasn't too unexpected that most of the film was shot up-close and handheld. Most of the time, they gave you enough of a look at what was happening so that it wasn't visually disorienting. Still, there are a couple of scenes in which this filming style is detrimental. One was a catfight between Connie Nielsen and Gina Gershon's character in which it's often hard to tell who's hitting who and where they exactly are at any given moment. The other was a chase scene towards the end. Overall, given the subject matter, or at least what I thought the subject matter was going to be, I have to say this film was a disappointment. It was overly confusing, poorly written with unlikeable characters and, worst of all, rather boring. With such sleazy content involving animated porn and torture sites, they chose possibly one of the worst angles to approach it from and certainly one of the least compelling. It kind of improves in the last 30 minutes or so, but that doesn't excuse the nearly 90 minutes that came before it. If discussions about contracts, clauses and market share are your cup of tea, by all means check this out. For me, however, it was just a dud and waste of my time and money.

### ⭐⭐⭐⭐ 4.0 out of 5 stars







  
  
    Elusive but invasive
  

*by E***Y on Reviewed in the United States on July 13, 2005*

I walked out of the theater I caught demonlover in a couple of years ago sure I had witnessed a garballed movie ruined by a windbag need to be abstrusely "difficult."  I'm not sure that assessment is wrong, per se, but since watching the movie, it's never quite left my mind, and I found myself purchasing a copy to watch it again.  On this viewing, I'm far more kind.  Its first hour is a top rate corporate thriller full of cunning acting and mesmerizing developments.  Then, midway through, Diane (Connie Nielsen, in her only great performance to date) wakes up in a hotel room and the movie jumps through one of those Lynchian rabbit holes we call "Lynchian" to pretend we understand them (as if being deliberately unclear could be a calling card).  The hallucination the movie becomes in the second half is a sort of half-cocked nightmare critique of soulless business practices, of the way the immorality of a corporation's practices and products can take over the essence of who its practiotioners are.  Or so I think.  Olivier Assayas lets the wind out of his movie for about an hour straight even to get that far, and it leads to narrative frustration, but I can't say watching this movie a second time that that frustration is necessarily a bad thing.  In fact, it takes me a place that I don't even go with David Lynch movies - Lynch is much more an artist of the hallucinatory.  demonlover is, at heart, a movie of fairly innocent ideals told for maximum complication in a manner whose riskiness becoems its initial biggest weakness.  Given another shot, you may find that riskiness returning you for another round, as I did.

### ⭐⭐⭐⭐ 4.0 out of 5 stars







  
  
    French wave extremity
  

*by H***S on Reviewed in the United States on October 5, 2012*

This is a hardcore R-rated neo-noir technological thriller with corporate giants vying to monoplise the interactive 3D digital pornography market. It's a film that lacks morality as the limits of corporate espionage takes place among characters that have no limits. The limits of depravations are played out in extremely lurid fashion. The underground torture sites on the world-wide web reminded me of the HOSTEL films as a Corporate agent played by Connie Nielsen finds herself as an abducted star-player on a torture web-side THE HELLFIRE'S CLUB while a young boy in a surburban home steals his father's gold card and logs into this illegal web site as we are about to witness the online torture of Nielsen. It has all the elements and mise-en-scene one would expect in this genre. There's technological voyeruism, deprave sexuality, corporate exploitation and globilization, espionage amongst corporate giants and the backstabing exploitation of office politics with characters who decieve one other for corporate gain. Apparently Brian De Palma's new corporate thriller PASSION is set to be heavily influenced by DEMONLOVER.

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*Product available on Desertcart Morocco*
*Store origin: MA*
*Last updated: 2026-05-22*