---
product_id: 1611836
title: "FE 70-200mm F4 G OSS Interchangeable Lens for Sony Alpha Cameras, White/Black"
brand: "sony"
price: "35042 DH"
currency: MAD
in_stock: true
reviews_count: 9
category: "Sony"
url: https://www.desertcart.ma/products/1611836-fe-70-200mm-f4-g-oss-interchangeable-lens-for-sony
store_origin: MA
region: Morocco
---

# 70-200mm versatile zoom Optical SteadyShot OSS stabilization Dust & moisture resistant build FE 70-200mm F4 G OSS Interchangeable Lens for Sony Alpha Cameras, White/Black

**Brand:** sony
**Price:** 35042 DH
**Availability:** ✅ In Stock

## Summary

> 🎯 Zoom in on perfection with Sony’s pro telephoto powerhouse!

## Quick Answers

- **What is this?** FE 70-200mm F4 G OSS Interchangeable Lens for Sony Alpha Cameras, White/Black by sony
- **How much does it cost?** 35042 DH with free shipping
- **Is it available?** Yes, in stock and ready to ship
- **Where can I buy it?** [www.desertcart.ma](https://www.desertcart.ma/products/1611836-fe-70-200mm-f4-g-oss-interchangeable-lens-for-sony)

## Best For

- sony enthusiasts

## Why This Product

- Trusted sony brand quality
- Free international shipping included
- Worldwide delivery with tracking
- 15-day hassle-free returns

## Key Features

- • **Silent & Fast Autofocus:** Linear motors deliver whisper-quiet, lightning-fast focusing—perfect for pro-level photos and video.
- • **Pro-grade Telephoto Zoom:** Capture distant action or portraits with a sharp 70-200mm focal range that adapts to every scene.
- • **Premium Carl Zeiss Optics:** Experience stunning edge-to-edge sharpness and vibrant colors thanks to advanced aspherical and ED glass elements.
- • **Weather-Resistant Durability:** Built tough with dust and moisture sealing plus a lightweight aluminum alloy body for rugged outdoor shoots.
- • **SteadyShot Optical Image Stabilization:** Say goodbye to blur with built-in OSS that keeps your shots crisp even handheld or on the move.

## Overview

The Sony FE 70-200mm F4 G OSS is a professional-grade, weather-sealed telephoto zoom lens designed for Sony Alpha full-frame mirrorless cameras. Featuring advanced Carl Zeiss optics with aspherical and ED glass elements, it delivers exceptional sharpness, contrast, and color fidelity across the zoom range. Its built-in Optical SteadyShot image stabilization and fast, silent autofocus motors ensure crisp, blur-free images and smooth video capture. Lightweight yet durable, this lens is ideal for action, portrait, and outdoor photography, making it a versatile essential for serious enthusiasts and pros alike.

## Description

Sony SEL70200G 70-200mm Interchangeable Lens for Sony Alpha Cameras. Angle of View 34°-12° 30' The small size, versatile 35mm focal length, and outstanding overall performance of this Carl Zeiss Sonnar T* lens make it an ideal match for compact 35mm full frame format E-mount bodies. Although the optical design is state-of-the-art, this superb wide angle lens remains true to the original Sonnar concept with a bright F2.8 maximum aperture (“Sonne” means “sun” in German). Three double-sided aspherical elements minimize aberration so that stunning contrast and resolution are maintained right out to the image edges at all apertures. The renowned T* lens coating contributes to natural color reproduction as well. When changing your aperture to defocus the background, the light sources appear blurred. This ‘bokeh’ effect of the blurred background can be enhanced with circular aperture blades used in this lens. Conventional aperture blades have flat sides creating unappealing polygonal shaped defocussed points of light. α lenses overcome this problem through a unique design that keeps the aperture almost perfectly circular from its wide-open setting to when it is closed by 2 stops. Smoother, more natural defocusing can be obtained as a result. Effectively suppress reflections that can cause flare and ghosting with Sony’s original Nano AR Coating technology. This precisely defined regular nano-structure allows accurate light transmission, contributing to high-quality images, even more so than lenses with coatings that use an irregular nano-structure. The reflection suppression characteristic of the Nano AR Coating is superior to conventional anti-reflective coatings, providing a notable improvement in clarity, contrast, and overall image quality. As focal lengths get longer, lenses built with conventional optical glass have difficulties with chromatic aberration, and as a result images suffer from lower contrast, lower color quality, and lower resolution. ED glass dramatically reduces chromatic aberration at telephoto ranges, and provides superior contrast across the entire image, even at large aperture settings. Super ED glass provides enhanced compensation for chromatic aberration. Aspherical lens design dramatically reduces spherical aberration while also reducing lens size and weight. Spherical aberration is a slight misalignment of the light rays projected on the image plane. This is caused by differences in refraction at different points on conventional spherical lenses which degrade image quality in large-aperture lenses. Specially shaped “aspherical” elements near the diaphragm restore alignment of light rays at the image plane, maintaining high sharpness and contrast even at maximum aperture and can also be used at other points in the optical path to reduce distortion. Well-designed aspherical elements can reduce the total number of elements required in the lens, thus reducing overall size and weight. Advanced Aspherical (AA) elements are an evolved variant, featuring an extremely high thickness ratio between the center and periphery. AA elements are exceedingly difficult to produce, relying on the most advanced molding technology to consistently and precisely achieve the required shape and surface accuracy, resulting in significantly improved image accuracy and quality. Once you’ve adjusted focus to where you want it, pressing this button on the lens barrel will keep the lens locked to that focusing distance. The preview function can also be assigned to this button through the camera’s custom settings. This function allows you to set a limit on the focusing range which can save you time during AF operation as the lens will not ‘hunt’ through the entire focusing range. In macro lenses, this limit can be on either the near or far range (as pictured). In the SAL70200G, the limit is set on far ranges only. In the SAL300F28G, focusing can be limited either to a far range or to a range that you specify yourself. Only the middle groups of the optical system move to achieve focus, so the overall length of the lens does not change. Other important benefits include fast autofocusing and a short minimum focusing distance. Also, the filter thread at the front of the lens does not rotate, which is convenient if you’re using a polarizing filter. Aluminum alloy is used in the construction of the G Lenses and other high-end lenses to ensure high optical performance. This material is lightweight, durable, and highly resistant to the effects of temperature change. Gyro sensors built into the lens detect even the slightest movement, and the stabilization lens is precisely shifted to counteract any image blur that might occur. The use of precision, quiet linear motors and technology inherited from high-end Sony professional camcorders results in exceptionally quiet, effective image stabilization that contributes to high-quality movies as well as stills. The dust and moisture resistance design makes this lens appropriate for heavy-duty outdoor use, especially when combined with a camera that employs weather resistant measures. 2014 Sony Electronics All rights reserved. Reproduction in whole or in part without written permission is prohibited. Sony is not responsible for typographical and photographic errors. Features and specifications are subject to change without notice. All rights reserved. Sony, the Sony logo, (alpha) log, G logo and SteadyShot are trademarks of Sony. All other trademarks are trademarks of their respective owners. Sony and the Sony make.believe logo are trademarks of Sony. Carl ZEISS and ZEISS is a trademark of Carl Zeiss and Sony Corporation. All other trademarks are trademarks of their respective owners.

Review: Good sharp lens, and about time - Very solid, high-performance lens, very sharp, great stabilizer. Slightly heavier than I'd hoped considering it's for a mirrorless, but learning to live with that. Seems almost identically sharp to my Canon 70-200 f4, and slightly smaller. Good included tripod mount, though sometimes a little awkward clamping it back on the barrel--nothing serious and will probably get easier once I understand where the resistance is coming from. Very happy with this lens--this and the 24-70, used interchangeably on a full frame (A7) and an A6000, gives me 24-300mm in two lenses that are both pro quality (even the 28-70 is fine if you don't need the extra width). Add a 10-18mm (already had that one--or spend another thou on the great new 16-35mm) and also a fixed, fast 28/f2 (or a 35, or the spectacular 55), and you have a full setup in a fairly compact package. The future is here, and it don't need no stinkin' mirrors...although...I do also keep a Canon setup (6D and 70D), mainly for bird and wildlife images (400mm), macro (100/2.8 IS--made easy with fully articulating 70D LCD), and 16-35 f/4 for landscapes, to supplement the 10-18 and at times to use with adapter on the Sony FF. But I'll be selling several of my Canon lenses, including the 70-200, 300, and 35, as wonderful as they are, because the Sonys cover all that while keeping weight down and allowing for legacy-lens use, like the great Pentax 50/f1.4 I just found the other day for $4.99 at Goodwill...wait...is this too much? Sorry. I do that sometimes. My wife's eyes have been known to glaze over. She tells me, "You don't have to say everything you think." Probably true. But I hope this helped.
Review: Takes great action shots and looks like a Pro Lens - Awesome lens for action shots. Used this at my Sons Track events and it captured movement very well. I got more money shots with this lens than any other lens ever. It performs very well and it easy to use. It is heavy on the Sony body and you really need to hold onto hard or use a mini pod. The 4.0 disappointed me for indoor light at a distance of 50 yards or more. Closer shots were good with light. Makes me want to buy the 2.8 lens now. If I had to do it again I would spend the $2500 on the upgraded 2.8 lens. Real disappointment was my fault but I dropped the hood cap while walking and it cracked in half and is. It repairable. Cost me $60to replace it. Another bonus was the look of the lens and the white color. It looks like a Pro or a Reporter at events. I had students at the Track Meet asking me to take their picture thinking I was with a newspaper. This look actually got my Son a side job taking pictures of an athlete who plays Basketball at the HS level. His Mom wants photos from all of his games and pays my Son $60 a game now for taking his pictures. This is giving him money opportunities because he looks professional.

## Features

- Brand is Sony
- Minimum focus distance:1–1.5 m (AF)/1–1.35 m (MF) (3.28–4.93 ft [AF]/3.28–4.43 ft [MF]), Maximum Magnification ratio : 0.13x, Focal-Length : 70–200 mm
- Interchangeable Lens
- SEL70200G

## Technical Specifications

| Specification | Value |
|---------------|-------|
| ASIN | B00I8BICEO |
| Batteries | 1 9V batteries required. |
| Best Sellers Rank | #851 in SLR Camera Lenses |
| Customer Reviews | 4.5 4.5 out of 5 stars (292) |
| Date First Available | February 12, 2014 |
| Is Discontinued By Manufacturer | No |
| Item Weight | 1.85 pounds |
| Item model number | SEL70200G |
| Manufacturer | Sony |
| Product Dimensions | 6.89 x 3.15 x 3.15 inches |

## Product Details

- **Brand:** Sony
- **Camera Lens Description:** Sony FE 70-200mm F4 G OSS Interchangeable Lens for Sony Alpha Cameras
- **Compatible Mountings:** Sony E
- **Focal Length Description:** 70-200mm
- **Lens Type:** Telephoto

## Images

![FE 70-200mm F4 G OSS Interchangeable Lens for Sony Alpha Cameras, White/Black - Image 1](https://m.media-amazon.com/images/I/61YLciIrnKL.jpg)

## Available Options

This product comes in different **Style** options.

## Questions & Answers

**Q: Will this lens work with the Sony A6000?**
A: It will work yes. This lens is a E-mount lens and the A6000 also uses the E-mount.

**Q: Is this lens good for shooting landscapes or is it good for close ups? Help!!!**
A: Not exactly a landscape lens, but yes can be utilized for landscapes...on the A6000 it has good reach and fast auto focus, on the A7r it has lovely IQ but slower...if you add a Canon 500D or 250D Close Up Lens to it (Screws onto the front of lens and it's a small threaded lens) you can shoot very nice close ups with it...http://acwilli.smugmug.com/Partial-Eclipse/....http://acwilli.smugmug.com/A7r-70-200-Canon-500D/...

**Q: Given this is a full frame lens, what compromise does it have pairing it with NEX6, which is not a full frame camera?**
A: On the NEX 6 this lens has a focal length equivalent to 105-300mm on a full frame camera such as the a7r. I don't have a NEX 6, but it works beautifully on an a6000.

**Q: Does this FE 70-200mm lens mount directly on an A7 camera, or is an adapter required?**
A: the second answer is wrong. this lens has the E mount.

## Customer Reviews

### ⭐⭐⭐⭐⭐ Good sharp lens, and about time
*by A***H on February 22, 2016*

Very solid, high-performance lens, very sharp, great stabilizer. Slightly heavier than I'd hoped considering it's for a mirrorless, but learning to live with that. Seems almost identically sharp to my Canon 70-200 f4, and slightly smaller. Good included tripod mount, though sometimes a little awkward clamping it back on the barrel--nothing serious and will probably get easier once I understand where the resistance is coming from. Very happy with this lens--this and the 24-70, used interchangeably on a full frame (A7) and an A6000, gives me 24-300mm in two lenses that are both pro quality (even the 28-70 is fine if you don't need the extra width). Add a 10-18mm (already had that one--or spend another thou on the great new 16-35mm) and also a fixed, fast 28/f2 (or a 35, or the spectacular 55), and you have a full setup in a fairly compact package. The future is here, and it don't need no stinkin' mirrors...although...I do also keep a Canon setup (6D and 70D), mainly for bird and wildlife images (400mm), macro (100/2.8 IS--made easy with fully articulating 70D LCD), and 16-35 f/4 for landscapes, to supplement the 10-18 and at times to use with adapter on the Sony FF. But I'll be selling several of my Canon lenses, including the 70-200, 300, and 35, as wonderful as they are, because the Sonys cover all that while keeping weight down and allowing for legacy-lens use, like the great Pentax 50/f1.4 I just found the other day for $4.99 at Goodwill...wait...is this too much? Sorry. I do that sometimes. My wife's eyes have been known to glaze over. She tells me, "You don't have to say everything you think." Probably true. But I hope this helped.

### ⭐⭐⭐⭐⭐ Takes great action shots and looks like a Pro Lens
*by K***T on March 10, 2018*

Awesome lens for action shots. Used this at my Sons Track events and it captured movement very well. I got more money shots with this lens than any other lens ever. It performs very well and it easy to use. It is heavy on the Sony body and you really need to hold onto hard or use a mini pod. The 4.0 disappointed me for indoor light at a distance of 50 yards or more. Closer shots were good with light. Makes me want to buy the 2.8 lens now. If I had to do it again I would spend the $2500 on the upgraded 2.8 lens. Real disappointment was my fault but I dropped the hood cap while walking and it cracked in half and is. It repairable. Cost me $60to replace it. Another bonus was the look of the lens and the white color. It looks like a Pro or a Reporter at events. I had students at the Track Meet asking me to take their picture thinking I was with a newspaper. This look actually got my Son a side job taking pictures of an athlete who plays Basketball at the HS level. His Mom wants photos from all of his games and pays my Son $60 a game now for taking his pictures. This is giving him money opportunities because he looks professional.

### ⭐⭐⭐⭐⭐ WOULD GIVE THIS LENS A 10 if i could.
*by A***R on November 30, 2024*

This is the best lens in my arsenal of photo lens. for portrait photography. The images are so so sharp even when used in manual mode. Although this lens may look heavy; it did not tire my arms/hands during an all day wedding recently. Yes, it is at the upper price point for entry level pro photographers however; you will be glad you purchased this lens and if you are a wedding/event photographer or portrait photographer: you will quickly appreciate using this lens even at the end of its' range (200mm): the pictures are still great.

## Frequently Bought Together

- Sony FE 70-200mm F4 G OSS Interchangeable Lens for Sony Alpha Cameras
- Amazon Basics UV Protection Camera Lens Filter - 72mm
- Amazon Basics Circular Polarizer Camera Lens Filter - 72 mm

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*Product available on Desertcart Morocco*
*Store origin: MA*
*Last updated: 2026-03-13*