1 It Continues Waiting For A Headronefish (23:26) 2 Encounter With The Inside Of The Wavemotion Of Great Water Fuzz (20:04) 3 ...And Texas Spaceship (17:56)
S**A
Droooooooooooooooooooooooonnnnnne-a-tone
Three very long songs: "It Continues Waiting For A Headronefish" (23:27), "Encounter With The Inside Of The Wave Motion Of Great Waterfuzz" (20:04) and "...And Texas Spaceship" (17:56). The first song starts off with low-key bristly noises and long, looming bass drone. Time passes slowly. The song is long, flat, continuous. And I can't get enough of it. How will the next song be different? How will it be better? It starts off with cool, long guitar wail that is a bit bluesy and psychedelic. Very low sounds burble in the background. At a start, the noise squeals in and just keeps going. The Merz-noise twists and groans and builds up and up, constantly changing. This is a noise song, not a drone tune. The last song starts with guitar drone buzzing like a light aircraft in the sky, noise building up behind it changing and mutating, sometimes a deep squeal, sometimes high tension wires, sometimes stressed iron girders, sometimes a volcano, sometimes horror hoarfrost, and other times just plain static. Bitchin'! No drums and maybe no bass even, this seems to be all Merzbow and Wata.
ترست بايلوت
منذ أسبوعين
منذ أسبوعين