Beautiful Stories For Ugly Children

A decent heavy hitter from the boys, brilliant price and own to have in your metal collection.

I gave this 5 stars as I love it, not quite as good as the first 2 albums by these guys but in the same ballpark, my favourite song so far is the first track 'Come on'. I have heard some newer stuff by these guys with the new band members but in my eyes this was the last good one, if you liked the first albums then you will probably like this one.MUSHROOMHEAD RULE!

Great C.D. by a great band great seller will use again

Excellent

Beautiful Stories For Ugly Children is either the seventh, fourth or third album by the criminally underrated band Mushroomhead, depending on your views on record contracts and compilations. It is their second album with Waylon Reavis in one of the band's two lead vocalist positions. Since its release in 2010, the band have lost Pig Benis, Gravy and Lil Dan, who all appear on the album, as members.Despite still containing large chunks of influence from Alternative and Industrial music; Beautiful Stories' is arguably their most straight forwardly Metal release to date; with a lot more double-kicks, chugging and up-tempo tracks than on their previous albums. At times, there is even a very clear Zack Wylde/Dimebag Darrell feel present in the tails to the riffs and there is a hell of a lot more lead guitar than on any previous Mushroomhead release.Furthermore, there are also a lot less of the dark and creepy moments from the band's early work to be found here. There is nothing like `Chancre Sore' or `The Wrist' on the album for example, which may in fairness be a bit disappointing for certain fans, but the album definitely does make up for ignoring one aspect of the band's sound with its consistency and the excellent, memorable songwriting.Right from the beginning, the album is charged and exciting, kicking off with the very fun opening track `Come On' which pretty much sums up the entire new focus in direction in one track.The next four tracks are all excellent, very much following in that same direction, but with enough variety each for the album not to sound homogenous, then from that point on the album lets a lot of variety sink in. There are still touches of Faith No More's influence present in the vocal patterns and choice of keyboard sounds, but you'll also get a really Tony Iommi sounding riff here, a bit that could fit on a Chimaira record here or even a vaguely Ministry-esque drumbeat there too.When this is focused yet varied musical direction is combined with the hugely improved production job and mix (courtesy of their drummer Steve `Skinny' Felton) over the last record, and the fact of Waylon's voice being an established part of the band already this time around, this is a very impressive and instantly enjoyable record, arguably even their best to date. If you have anything more than a casual interest in the band, this is definitely not an album to skip.Highlights include the faster, heavier tracks like `Come On,' `Darker Days' and `Burn The Bridge,' as well as the interesting percussion-based `Harvest The Garden' and the proggy `Holes In The Void' which sounds like an even more intense reworking of their cover of Pink Floyd's `Empty Spaces.'That being said however, there is not a single track here that is forgettable, weak or out of place; it is a remarkably consistent album and the kind where you can have a new favourite track on every listen.The songs are all big, the riffs are all satisfying and there are lead guitar breaks going off left, right and center. The combination of this direction and the existing styles of vocals, keyboards and electronics from the `Xii' album in particular, results in a brilliant and utterly enjoyable record.Overall; for a fan of the band, this album is an absolute must-have. It may take a few listens to come around to if you primarily like the band through the filter of a more Industrial or Alternative fanship but will likely become your favourite Mushroomhead album if you listen to it through the filter of a more Metal fanship.

I've been a long time fan of Mushroomhead. Hailing from Cleveland, Ohio, the mask wearing theatrics of the band bringing a depth of atmosphere that was lacking in bands of the time. This is the second album with Waylon Revis in place of JMann on second vocals and unlike the industrial heavy "Savoir Sorrow", this album strikes the perfect balance and blend of the bands elements, which, for me has probably been the reason they didn't quite reach the big time. Their back catalogue has a wealth of awesome material but sometimes the mix isn't right. The album flows like a classic from front to back, nothing sounding disjointed or out of place. The themes are dark and continuity is perfect. It's superior in every way to albums (not individual songs) in the back catalogue. Go buy.

To my ears, Mushroomhead's last outing "Saviour Sorrow" was a poor effort. To these ears, the songs just didn't stick and I didn't feel that Waylon was a suitable replacement for the much missed J Mann. I gave the album enough spins but it just didn't hit the mark.So, follow up "Beautiful Stories For Ugly Children" (title of the year) is a real surprise...as much so in that this could be the finest Mushroomhead release to date.The production is absolutely solid and even driving down the M1 I could hear all of the instruments. Unlike...ahem..another masked band, one thing that I love about Mushroomhead is that they do utilise the scratches and the keyboards, there is some piano in there and this can give the songs real depth. It's always been there but seeminly more prominent on this release.I've always loved Mushroomhead's gothic tinged brand of metal. After 3 listens, the standout songs have to be Inspiration and Harvest The Garden.Love the packaging of the CD and the cover art especially. Mushroomhead have gone to town on the masks this time around.Overall, a terrific album and one that I can see being welded to the stereo.