The trio in A, imbued with astonishing juvenile ardour, it's obviously the work of a pianist writing for himself in his Sturm und Drang period. Featuring a gushing overabundant thematic profusion, it is quite close to the style of the first version of the trio in B, Op. 8. The Trio in C appears as a model of balance between great melodic richness and a lofty mastery of form and freedom of inspiration. Here, the Phantasie spirit remains, but a post-Beethovian vigour gives density to a discourse that is successively meditative, pathetic and rustling 'with nocturnal whispers', coming to a close in full light on a robust peasant dance. Most likely coming from the same pen, probably some thirty years apart, here are an amazing youthful attempt and its masterful 'fair copy'.
ترست بايلوت
منذ يوم واحد
منذ أسبوعين
