Horizon 7

الوصف

Product Description The seventh release in RCO Live's Horizon series features world premieres recorded during three concert seasons. Magnus Lindberg's sumptuous 'Era' a birthday present from the Concertgebouw Hall to the Royal Concertgebouw Orchestra - dates from the 2012-2013 season. Both Tan Dun's catch\ double bass concerto 'The Wolf' and Richard Rijnvos's 'fuoco e fumo' about the 1996 destruction by fire of the Venetian opera house La Fenice, are from 2015. The programme opens with a beguiling 20-minute work for countertenor, women s voices and orchestra, 'Dream of the Song', Benjamin s first work since his ground-breaking opera 'Written on Skin', was premiered in September at Amsterdam s Concertgebouw by the countertenor Bejun Mehta, the ladies of the Netherlands Chamber Choir and the Royal Concertgebouw Orchestra conducted by its composer. The work sets verse by three major poets who spent formative years in Granada; two Hebrew poets of mid-11th century, Samuel HaNagid and Solomon Ibn Gabirol (sung by solo countertenor in English versions by Peter Cole), and Gabriel Garcia Lorca (sung by the female chorus in the original Spanish). Commissioned by the Royal Concertgebouw, BBC and Boston Symphony Orchestras and the Festival d Automne, the work received its UK premiere on 18 March with Iestyn Davies, the BBC Singers and BBC Symphony Orchestra conducted by Oliver Knussen. " Review **** 'Bejun Mehta...is alive to the sense of every syllable. The whole performance projects Benjamin s soundworld and its luxurious interplay between instruments and voices far more vividly than it came across at the Barbican; it s easily the most striking score in this collection.' --Andrew Clements The Guardian, 26th May 2016'the true wonder of the RCO s Horizon series is in the sonic journey each record presents. And you ll want to hear George Benjamin s Dream of the Song, especially in this almost creepily perfect performance from Bejun Mehta ... Particularly enlivening is Benjamin s tendency to play at the hinterlands of his orchestra, to have isolated corners of the ensemble collapse into panic without disrupting the meta-flow ... breathtaking, chameleonic playing from Seldis that tells you why he s this incredible orchestra s principal.' --Andrew Mellor Gramophone, July 2016'channelling the spirit of Sibelius, not only in that obvious homage to the 4th Symphony a century earlier, but also in the way Lindberg layers tempos; an apparently fast speed in the foreground while the foundations below move with a kind of glacial inevitability' --Andrew McGregor BBC Radio 3 Record Review, 29th July 2016