Fantastic Beasts and Where to Find Them Soundtrack

James Newton Howard has come through with a soundtrack that not only serves the film in which it appears but is also a joy to listen to. Howard is one of the best film score composers today which is probably why he was selected for this film. Beginning in the mid 1980's he has scored nearly one hundred films in a dizzying array of styles. He received his first Academy Award nomination for the lushly romantic music of The Prince of Tides , and went on to create one of the greatest Western scores for Wyatt Earp. After that there was the dark Baroque of Restoration, the eerie and suspenseful scores for The Sixth Sense and Unbreakable, the world beat of Dinosaur and the electronics of Signs. For The Village he composed a score of intricate and emotional themes for violin and orchestra while Blood Diamond set a new standard in blending world music and a traditional orchestral score.The thing about Howard is that he isn't just some clever arranger who can clothe a theme in various styles but is able to get deep inside each and come out with music that is original and full of the spirit of the music. Soundtrack collectors are used to soundtracks of one or two themes and know this is a valid approach if the only intent is to give a film a signature tune. But in Fantastic Beasts, Howard has gone all out and created a score with multiple major themes, variants of themes and little momentary diversions and flights of fancy that show an endless wealth of invention. There's eerie music with a wordless children's chorus and a ragtime tune which is derived from the eerie theme. There's music of high adventure and action and music of darkness underlined by deep, rumbling bass notes.There is some inspiration from his earlier scores. Peter Pan comes to mind with its use of harp and celeste with wordless vocals, both prominent here as key signifiers of magic. Wyatt Earp surprisingly comes to mind, not for its thematic material, of course, but the way he uses an orchestra to create really big music; not necessarily loud but big in its suggestion of vast spaces in this case of the magical realm and not the American West. There are some excellent minor themes as well. A jaunty melody with an English folk song air to it is used to indicate Newt's origins but would be at home in a Jane Austen film as well. At times the music takes off in a furious almost Slavonic way such as in The Demiguise and the Occamy where it is reminiscent of Franz Waxman's music for Taras Bulba. The score is also mindful to its setting and includes music that recalls the Twenties with jazz emerging out of ragtime with a theme that begins like a jaunty rag before slipping into a Cab Calloway kind of sound. Track 15, "Relieve Him of His Wand" etc. is a stunning tour de force of orchestral composition.The producers of the disc (including James Newton Howard) wisely combined cues to prevent the choppy effect that separating every cue on a soundtrack album can create. They also cleverly arranged the two discs to make the first disc into a 75-minute long symphonic suite that is a pleasure to listen to. On the second disc with 25-minutes of bonus material you get any music that may have distracted from the experience of the first disc. This includes repetitious themes, some of the really creepy music and Blind Pig, the song by Australian singer Emmi (it's really good, but a sudden pop song would interrupt the orchestral flow of the first disc). One of the nicest tracks in the score ends it all, Kowalski's Rag, an extended take on the ragtime and jazz themes of the film.The booklet lists an incredible 166 musicians on this soundtrack. It's unclear if they were all assembled as an orchestra at one time or if this represents different people playing at different times. If this is a single orchestra it's one of the largest assembled for any soundtrack .Mahler would have only dreamed of such an orchestra. The usual Hollywood soundtrack was played by 50 to 100 musicians ans soundtrack LP's were made later with about 30 musicians. Also, this does not include the jazz band or electronic effects. The booklet beautifully gives credit to everyone involved in this score, a well-earned tribute. Even if the orchestra was less than all 166 musicians, it is a very large and talented group.James Newton Howard had been a session musician and had been a pianist and string arranger for Elton John's tour band for a number of years before taking up film scores. He has been nominated for an Academy Award for six of his scores but has never won. I nope that this score will win it for him because it deserves it.

This is the second time I have posted a review on this CD, as this is the second one I purchased. The first in 2018. I have listened to this soundtrack over and over, and now have about the same mental pictures for each track. I often read where Beethoven, were he alive today, would compose for movies and video games. James Newton Howard possesses a great and vivid musical imagination, and although he composed for the Fantastic Beasts movie series, several of these cuts are stand alone small tone pictures that only a scant part of, if at all, were used in the movie. In this Deluxe Edition, several of the tracks have musical ideas he expands upon with complete logic that forms them into the tone poems, complete and stand alone musical thoughts. I am very thankful Mr. Howard chose to take the time to express himself, and go beyond composing bits that fit certain scenes. I love music, and I find this CD a great listen, as well as a ticket out of the everyday stress of life, and into the musical world of James Newton Howard.

First off, the two most memorable, and best scores of the past year emerged from the difficult position of being part of a series that began with music written by the legendary John Williams, "Rogue One, A Star Wars Story" by the prolific and talented Michael Giacchino, and "Fantastic Beasts and Where to Find Them" by James Newton Howard. The former has already been reviewed by this writer, the latter deserves some comment. With a brief and respectful inclusion of Williams' main Hogwarts' theme, which follows an impressive introduction of his own, James Newton Howard takes off very much on his own with a score that is as original and impressive as the film. This may be the best work to date from a very talented composer, and yes, that is saying something. Numerous thematic treatments and some nods to the period and location abound in a score that works perfectly on the screen and makes for a delightful soundtrack album. Both the film and the score give new life to the magical world of J.K. Rowling, and do so in a very positive way. The Deluxe Edition adds a second disc of music, and the whole thing is ably produced with outstanding packaging by Watertower Music (the usual plastic casing is thankfully avoided)! Between "Rogue One" and Fantastic Beasts," which is best? Two great, and more or less, unexpectedly solid scores! Do not miss either one.

James Newton Howard did such a great job bringing the world of Fantastic Beasts to life and, if the movies had continued, would've made the main theme as iconic as Harry Potter's Hedwig's theme.

I don't normally buy movie soundtracks before seeing the film at the theaters but this is a rare exception and I was not disappointed. When I hear a quality soundtrack from a movie that sends chills up and down my spine I know instinctively that the movie itself is probably just as good. There has only been two other soundtracks/films that I have felt that same and both came from the master composer John Williams. "Star Wars" and "Close Encounters of The Third Kind". In my opinion, this is by far the best motion picture score that James Newton Howard has composed to date and could very well be his signature accomplishment. What I like so much about this soundtrack is how well James Howard takes the "theme" of the movie soundtrack and molds it into the various tracks on different levels. Whether it be the hard hitting opening soundtrack of the movie down to the "love theme" and tender moments of the film, it all blends in extremely well and balanced. I will be shocked if this soundtrack does not at least get nominated for an academy award for best music score!