Synergy

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.com Drummer Dave Weckl gained such a cultlike following playing with Chick Corea's Elektric and Akoustic bands in the 1980s that he could probably release an album of solo wood-block tapping and have it sell enough copies to make the effort worthwhile. So it's a pleasant surprise that Synergy is a decidedly group effort that thrusts the varied compositional talents and versatility of Weckl and his bandmates to the forefront instead of merely showcasing the leader's drum chops. Not that Weckl has been letting those chops sag; his solo percussion odyssey "Cultural Concurrence" and his ferocious soloing over the Latin groove of the title track are enough to give air drummers everywhere a workout. But what makes Synergy more listenable than some of Weckl's other efforts is the inspired group interplay that finds him and his longtime touring ensemble--saxophonist Brandon Fields, keyboardist Jay Oliver, guitarist Buzz Feiten, and bassist Tommy Kennedy--locking in on grooves that push beyond his normal jazz-fusion terrain. From the West African feel of "High Life" to the Cajun-tinged "Swamp Thing" to the swanky James Brown funk of "Wet Skin," Synergy is an inspired and varied outing. --Ezra Gale Review After being dismissed by some as a mere "chops meister," former Chick Corea Elektric Band drummer Dave Weckl purposely sought to reinvent himself as a groove player on his previous solo outing, Rhythm of the Soul, which also marked the debut of his own band. While the group toured, soundcheck jams evolved into tunes, and the resulting music on Synergy provides the most balanced document yet of weckl's drumming and his strongest musical statement.Tracks such as "Panda's Dream," which features some of the fattest backbeats Weckl has ever played, and the New Orleans-inspired "Swamp Thing" are strong on pure groove. But tunes such as the African-influenced "High Life," the salsa/funk-informed "Synergy," and the solo drum/percussion tour de force "Cultural Concurrence" bear all the syncopated complexity of Weckl's original fame. He also displays a subdued, sensitive side with brushes and coloristic cymbals on the ballads "A Simple Prayer" and "Where's My Paradise?" A particularly definitive track is "Tower '99," a rewrite of "Tower of Inspiration" from Weckl's first solo album, Master Plan. It has all the technical mastery of the original but a deeper groove and a lot of soul.On Weckl's four previous solo albums, he and Jay Oliver keyboardist composed just about everything. But on Synergy, the songwriting credits are shared among Weckl, Oliver, guitarist Buzz Feiten (a major asset to this band), saxophonist Brandon Fields, and bassist Tom Kennedy. The result is Weckl's broadest level of self-expression.--- Rick Mattingly, JAZZIZ Magazine Copyright © 2000, Milor Entertainment, Inc. -- From Jazziz