High and Low (The Criterion Collection) [Blu-ray]

While I generally view Kurosawa's original Stray Dog as another in long line of his genre setting triumphs, High And Low is his masterpiece of the crime genre. High and Low was made in the middle of his career before Kurosawa's decline when his failure with Dodeskaden and getting kicked off of Tora, Tora, Tora caused him to go on hiatus for nearly ten years and drove him to attempt suicide. Thankfully Russia came along with a chance to adapt Dersu Uzala a film I wish was given the respectable double dip that Criterion is doing with their earlier releases.I discovered High and Low early in my exploration of Kurosawa mainly overlooking it because it wasn't a samurai period film something I thought He had excelled in and only that. It happened by chance that I borrowed the orginal Criterion disc from a friend at work and quickly became engorged in any film made by the master. This film has the earmarks of Kurosawa film with social commentary, great characters, amazing black and white photography (the liner for the dvd makes mentions of lighting on the killers mirrored sunglasses during the finale), and scenes that are almost acted without any dialogue. Plus its just a great damn thriller.High and Low was adapted from a 87th precinct novel from the late Ed McBain (Evan Hunter). It transplants the story from America to Yokohama in the middle of the summer. As the film begins shoe maker executive Gondo is having a meeting with subordinates where he outlines his plans to take over the company. The others are flummoxed as they want to create flimmsier shoes at cheaper prices and plan ..ping Gondo. Things come to a head when Gondo gets a phone call from a man who says He's kidnapped his son who was recently playing with the chauffers son around the house. Unfortunately his son comes in and as it turns out the chauffers son has been the one kidnapped. The Kidnapper discovers this also but won't budge on the ransom demand so Gondo is set up with a moral choice. He calls the cops despite the danger it poses but trys whatever He can to figure out a way not to pay the ransom.The cops arrive and then begins the first half of the film as a plan is devised to get back both the boy and the money. The second half of the film involves the police investigation trying to find out who the kidnapper is ending with a chase through the city in the night through back alleys and bars filled with foreigners all with as little dialogue as possible depending mainly on the emotions of the actors to sell the intensity. While the first half is more character driven the last half of the film is more procedural which of course is what appealed to me more.Being the fan that I am the only way to describe High and Low would be to use the word impeccable. Its not the most loved Kurosawa film (something I'd disagree with) but it has the hallmarks of greatness in my opinion. While I love the procedural half of the film, the first set only in the Gondo house is intense thanks to the acting and directing talent. One of the great things that I've always loved about Kurosawa is his use of long takes and this helps build the intensity of the scenes as the camera flows around the living room watching the characters. On the acting side you have the two of Kurosawa's main group. Toshiro Mifune is always able to play intensity with bravado and flair but as the film progresses you can see him begining to falter in his plans not to pay the ransom demand. At the end He's given up everything He gained, all his riches gone until He's back to mowing his own lawn in one of the famous images of the film like He's trying to hold back the inevitable. The second actor is Tatsuya Nakadai as Chief Detective Tokoda. Nakadai worked on the last of Kurosawa's masterpieces (being Kagemusha and Ran) and this was a great almost simple performance. Tokoda heading up the investigation isn't a renegade cop character mostly simply dressed and handsome. But Nakadai has a commanding presence that demands you to watch him. I can't really describe what makes Nakadai Mifune's perfect accomplice in the film.In the end its a perfect film in my mind, one of the few I wouldn't hesitate to brand it as such.I was speaking on my original experience with the film which was Criterions orignal release. Around the time Criterion double dipped Seven Samurai and gave it the treatment it deserved I hoped they'd do the same for High and Low as the picture on the original disc was slightly cropped at the sides. On this set they've thankfully corrected that issue while adding some great features like a commentary from Stephen Prince and more of the It Is Wonderful to Create series that they've included on almost all of their Kurosawa releases. Its strange that original Criterion is still listed for sale as this is the only set worth buying in my opinion.

The plot is simple and straightforward, but its meaning and the acting look similarly easy only if one does not pause to think about how deep and complex it is, and how difficult it is for actors to portray lives so believably. How apt! the script, directing, cinematography, music, sound effects, locations, set designs and editing are. Everything is perfect, as is characteristic of all of the great director’s works.Watch and enjoy! The English subtitles are large and very readable. You’ll be especially impressed by Toshiro Mifune’s ability to effectively show the character changes the shoe factory industrialist he portrays undergoes. The film was released over 60 years ago, but its themes and formatting is very modern … or, better put, eternal. Most of us lose a significant part of our freedom at work. We trade something of ourselves for our paychecks. Sometimes we trade a lot for very little in return. Maybe we might decline to . trade our selves. Maybe we could all be a little more heroic, even if we are not bosses like the movie’s industrialist. For instance, if we make shoes as the workers in this movie do, they should fit, be attractive, be sturdy and last a long time. Workers should demand pride, not just a paycheck. They might value life - their lives & other’s lives - above all else, as the industrialist does.

This is genuinely the best movie I’ve ever seen. I’ve seen a lot of movies. Kurosawa is the goat.

this is a thought-provoking movie. It is one of the best movies ever made

HIGH as Toshiro - Kingo Kondo - Mifune's house which lies on a hill, admired by the whole city. HIGH as Kingo's wealthiness that allows him to buy nearly 50 % of the shares of the society he's working for. HIGH as the moral integrity of this man who appears as a gentle capitalist never forgetting that money must be earned in a proper honest way.LOW as the condition of Kondo's servant whose only son has been kidnapped. LOW as the morals of Kondo's partners who are the true villains of the movie, LOW as the expectations of the drug addicts of Dope Alley who seem have been forgotten by the prosperous 1963 Japan. At least, LOW as Takeuchi's chances to escape a police humiliated by the machiavelic plot he has imagined.Adapted from one of Ed McBain " 87th Precinct " novels, Akira Kurosawa's HIGH AND LOW is a masterpiece. The first half of the movie takes place in the living room of Kingo Gondo. Kurosawa gives here an unforgettable lesson of cinema helped by a great actor - Toshiro Mifune - who is going to pass through the whole variety of feelings, from Happiness to Despair, in a 36 hours period.The second half of HIGH AND LOW depicts the police investigations in order to discover the kidnappers. Another scene worthy to stay in the annals of Movie History is the expressionist description - by night - of the hot streets of the city. A cinematographical enchantment.No bonus features with this Criterion release except for a booklet. Superb sound and images as usual.A DVD zone your library.