Melody: How to Write Great Tunes

Arrived without a CD

I got this book because I am weak on music theory. This book doesn't assume any music theory knowledge. It starts at the most basic concepts and then starts to explain how different styles of music apply these concepts, and then at the end of the book shows how some popular artists apply these concepts and how it defines their signature sounds. This is a must have if you want to write your own music.

Then again...Considering the state of popular music...I guess I can...I used to play/sing/compose by ear and didn't understand alot of aspects of music theory, but this book breaks it down using (Couldn't be better...) examples ranging from the melody styles of The Beatles, The Smiths, Radiohead, Van Morrison, etc. that makes it fun to learn...and everything clicked!The first read was Greek, second time I learned how to love my favorite songs in new ways and continue to every day since reading this book!I couldn't be more excited about the EP I'm preparing to put out.Other musician friends have noticed the vast improvements in my composing...And I'm just getting warmed up!Yeah...This reads like an info-mercial, but it's the God honest truth!To quote Sinatra..."You can't cheat the notes!"This book will teach you how to own the notes instead the notes owning you.Thanx Rikky!Paul

I have several of Rooksbys books,the best being in my opinion"How to write songs on guitar"I am 60 pages into this book and am having a hard time keeping my attention.The first 30 pages or so is nothing anyone would ever sing and he even says that.Its a good book for knowing your options when writing a melody,but i don't hear any creative input really.Maybe it will get better towards the end,if i can stomach it that long.He's going into all these different time signatures for what reason i can't understand unless he is catering to the off the beaten path styles,ie jazz,waltz,etc.I was looking for a book focusing on popular music,this book goes in all directions

I have been playing guitar for 25 years and studying theory more than 15 years. Unless you are a professional musician or music theorician, you would not want to dwell into music theory so much, that sometimes; it can be very hard to find an answer even to an easy question.ie; it took my years to find why i need to use some special chords, why i have to use some out of key notes in particular scales/progressions etc. Somehow this book answers those kind of questions too.When i saw that some of such answers are even in the early chapters and very simply explained, I hate myself not reading this book before the other dozens of music theory books i had read. Mr.Rooksby knows how to simplify things and make small bits to chew.And about the melody writing,As author himself mentions too, you can not write a great melody just reading a book. You need an initial inspiration. The theory is then needed for perfecting that inspiration. What this book gives is that theory.Although book has several chapters, it progresses like exercise 1, ex.2 .... So you can progress page by page or jump to any chapter you need. I recommend you to read from start to finish.Book starts with the very very basic example. Choose your key, play one of the notes from that key four times in every bar, hormonize it with the chord that has the same name with the note you use in that bar (not exactly in these words of course). In next exercise, exactly the same notes with a small variation; change one of the four notes in the bars with another note of the key. etc. etc. Yes, it does not sound creative so far.After going through all exercises, you end up with the same backbone but definetely much better piece. The difference (at least the concept) is like, nursery ryme twinkle, twinkle little star and Mozarts 12 variations to it.There are few down sides too.In exercises, he explains one thing and gives a few examples but not the whole listie1; in scales he mentions myxolydian, dorian and gives the notes of this scales but not the other scales.(BTW, by reading his other books, i start to think that he hates, minor scales :=))ie2; He mentions chord inversions, replacements but not all applicable chords etc. It is not a problem for me but it can be hard for the beginers to find out themselves. I understand that it would be frightening and waste of space to list all when ever they were mentioned. At least there should have been some kind of summary charts at the end of the book for future reference.As his other books, he refers to some songs which it may be hard for the reader to find.He keeps refering to bars, saying "look for the variation between bar 8 and 11". But the bars are not numbered that you have to count everytime. Numbering the bars is a small detail but time saving and a good habit of good musicians.As he already mentioned in the book, the audio CD is not arranged as a regular songs but only includes the melody and the chord/rhythm tracks to allow readers to concentrate on how melody develops. Thats OK. What i did not like about the CD examples are, most of the tracks are created with synth sounds (or at least I hear so). If he was to use real instruments, the differences between the examples would be more pronounced and we could grasp the note/interval/harmony relations better. Besides it would sound less boring.The examples only play once. For people like me who hates to set their players to shuffle mode or replay mode it becomes annoying to stop the track and rewind to hear twice.In SUMMARYYou can not seperate music as melody, harmony, rythmn and lyrics especially when you try to explain the theory behind it. So even though this book concentrates on melody, as i mentioned in the header, it gives quite a lot in other components, too. An the details for melody is satisfactory.It can be useful for any level of musicians. If you do not have any kind of music theory, start with this one before trying to learn from dedicated theory books. It does not include everthing but it will definely help you understand the dedicated books with ease.

This book is really good, and really you do not need to know a lot about music theory to use it. However, I actually do know a lot of music theory, but I still find it a very useful text, and really a bargain for the price, especially considering what some other similar texts or texts recommended right here in these reviews actually sell for.d Sure it is not perfect, but no music book can satisfy all levels at the same time, and the overwhelming majority of music book buyers are always going to be at a relatively elementary level. The more advanced books are more suitable for more advanced users, but the market is very small for these kind of books, and a lot of these buyers would prefer to buy these kind of books from their own universities anyway.

I was expecting that this book will give me the "magic formula" for writing beautiful, and well-written melodies. After I read the book, I was disappointed. I was still the same after I finished. I was expecting I will learn something life changing, because the title of the book says "How to write Great Tunes". It's an awful book on Melody Writing and I didn't learn anything. Don't get this book. Waste of Money. I am sincere, when it comes to reviews. Some products at Amazon, I gave good reviews. I am just giving you a warning to not even be tempted to purchase this book.

This is by far Rikky Rooksby's weakest book. Not recommended (I own just about all his books, the others are fantastic).

The book is about melody, rather than lyrics, which is good because most books about songwriting focus on lyrics.The information is very well presented and easy to follow. It gives lots of examples of how you can manipulate pitch and duration of notes to create a melody, and some information about harmony. The problem is that I'm not sure that he really has anything to say about what makes a great melody and how melody and lyrics work together to form a great song.I have read that the view of Berklee College of Music is that academia has not yet codified the process of writing a great melody and this book rather supports that view.

I actually quite liked this. It was interesting for me to learn why some notes work with some chords and why some don't etc. I agree with the fact that the flutey cd is pretty annoying and either a piano or guitar would have worked much better but if you ignore that aspect you can learn quite a bit. Yes it is slightly a bit of a boring way to learn but there is some good stuff in the book if you are like me and a big fan of melody. I am quite a fan of his books, so maybe i'm a bit biased

I don't agree with the former rewiever. I think everything depends on how we approach the lessons. To me this book is really helpful because it allows me to understand how to link melody and harmony, how we can avoid monotony,develop rhythm skills, how to dare with dissonance and syncope if we want to be creative or how to work with intervals and notes that are not part of a scale. The accompanying CD is really good. I don't care about the sound because it is used for instruction, not to be played as definitive arranged music.Rooksby's books are really excellent for aspiring songswriters like me.

Some great info here

Perfect